The Raising of Lazarus, Luca di Tommé (1330-c. 1389)
Born in Siena in 1330, Luca di Tommé inherited the artistic tradition of his great predecessor, Duccio. Luca’s interpretation of the story found in John’s gospel of the Raising of Lazarus follows faithfully Duccio’s earlier composition. Luca borrows features such as the rocky setting, the grouping of Christ and the disciples at the left of the panel. These figures stand directly opposite Lazarus, who appears at the entrance of the rock-cut vertical tomb. As Christ and Lazarus face each other across space, the drama of their interaction is mirrored in the reaction of the crowd. The disciples turn toward each other, their faces registering their shock and awe. Others in the crowd strain to get a better view of the scene, while the man standing next to the tomb holds his hand to his nose. This act of revulsion graphically conveys the earthy drama of this miracle. In a commanding gesture Christ’s right arm extends across the center of the space. This divine action acquires further authority through the words which would once have been clearly visible. Moving in a direct line from Christ’s mouth to Lazarus, the Latin text reads - “LAZARE VENI FORAS” – “Lazarus, come forth.” At the beginning of John’s gospel we hear of the word becoming flesh. Here Luca reminds us of the gift which God made to Creation through the person of Jesus. He shares our flesh and gives freely his gift of divine life.
Art Guide Resource
The 2013 Art Guide has been compiled by Claire Renkin, well-known Art Historian and Lecturer at Yarra Theological Union and narrated by Margaret Coffey. Margaret has a background in historical research, journalism, education and broadcasting including at the ABC. Artworks featured © Bridgeman Images.
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